Grace Anderson

Megan Parent

Co-Student Production Dramaturg

DeRon S. Williams, Ph.D., Dramaturgy Supervisor

Kaela Mei-Shing Garvin

Playwright

Kaela Mei-Shing Garvin is a playwright, performer, and educator from Mountain View, California. They have received six Kennedy Center Awards for their various works. Garvin’s other works include Harper’s Ferry 2019, Call Out Culture, and The Well-Tempered Clavier. Garvin is also notably a founding member of Undiscovered Countries, a Brooklyn based incubator for developing queer art. Currently, Garvin teaches playwriting at Cornish College of the Arts in Seattle, Washington and acts as the Literary Manager for Luna Stage in New Jersey. 

Jane Austen

book author

Jane Austen’s family was never rich by any means, her father worked as a cleric and did not get any of his father’s inheritance. However, his position in the role of cleric influenced Jane Austen heavily, as she got an unprecedentedly vast access to books and knowledge. When she was thirty-six in 1811, she published the first book of her own, Sense and Sensibility. Although today she is revered as one of the greatest authors, Jane Austen was never publicly acknowledged as an author during her life time. The four books that she published (Sense and Sensibility, Pride and Prejudice, Mansfield Park, and Emma) were all done so anonymously, and an additional two (Northanger Abbey and Persuasion) published posthumously after her death in 1878. Jane Austen never got to know of the profound impact that her books would retain on society two hundred years later, and yet, her legacy is still able to live on.

Production History

Jane Austen published the original book Pride and Prejudice anonymously in 1813. Since then the book has had seventeen film adaptations. In addition to the movies, the book has been adapted into scripts for live theatre many times. What makes Kaela Mei-Shing Garvin’s adaptation so special is her focus on bringing comedy and accessibility back into the story while still retaining the book’s original themes.

Slavery and Racial Acknowledgment

Our cast is built off of color-conscious casting, meaning that we have focused on inclusivity rather than historical accuracy (which would make every single person in this show white). Unfortunately, racial prejudice exceeds exclusion from the upper class; in fact, the upper class was nearly exclusively built off of the exploitation of racial minorities. Mr. Darcy’s fortune specifically comes from two places: investments of his family fortune and making money off of his land. Pride and Prejudice take place during the Napoleonic Wars meaning anywhere between 1797-1815, while slavery was not abolished in England until 1833. It is likely that Mr. Darcy’s “making money off of his land” meant the ownership and exploitation of slaves. Of course, this also applies to other wealthy characters such as Bingley, but the explanation behind Darcy’s fortune is more thorough which leaves more room for conversation. While it is worth mentioning that there is an argument that can be made against Mr. Darcy taking part in slavery (the help mentioned in the book are not described as slaves and he could make money off his land from tenants), it is much more important to recognize the merit behind a much uglier truth that recognizes the horrors inflicted upon people of color in England at the time.

For more information on this topic and how to approach it, you can visit this article.

Etiquette of the Era

    • Young women were often presented into society at the Queen’s Birthday Ball, which then allowed them to pursue marriage.

    • There were strict policies at balls and other social events. If a couple danced more than two dances in a singular night, they were considered to be engaged.

    • Young women needed to have a chaperone at all times to ensure reputations were upheld. Men, however, had more freedom with such matters, as many men would go on “Grand Tours” in their young adulthood. On these tours, it was common for men to engage in premarital relations without the fear of societal ruin.

    • Timeliness was of the essence! Prior to the dinner, guests and hosts would meet in the drawing room prior to entering the dining room.

    • Women would enter the dining room first according to their rank in society. If women in attendance were of the same rank, the order defaulted to age or marital status.

    • Men would enter after women under the same order guidelines.

    • Once seated, the host and hostess would sit at opposite ends of the table. The mistress of the house was usually seated at the upper end, the master at the lower.

    • Guests could either be seated with women at the upper half and men at the lower, or mixed, usually in an alternating pattern. In the case of the latter, men were required to help women carve and serve their food.

      Interested in what they ate? Click here for a brief overview of the diets of the upper and middle class at the time!

    • Men could not wear whole or half boots or carry sticks/canes to protect the feet of the women. Pantaloons could also not be worn, as knee breeches and stockings were seen to be more suitable.

    • When entering a ballroom, every lady must have been presented a ticket with their call number on it by the Master of Ceremonies. This number needed to be pinned in a apparent place to prevent any misunderstanding of place and order.

    • The most proper starting dance was the Minuet.

    • Any couple that refused to stand when a dance was called showed great disrespect to the lady that called the dance.

    • No couple could leave until a dance was finished and a dance could not be called twice in the same evening.

      Here is an example of a Regency era Ball!

    • Morning calls usually took place in the afternoon and lasted around half an hour.

    • In London, a woman could pay morning calls to those of social equivalence or those who were inferior. In cases of calling upon those socially superior, women must wait to be called upon or be given a calling card.

    • Calling cards were left if the lady of the house was out or indisposed.

    • A gentleman could call upon a family for social matters with the mistress of the house, but business calls were made with the master of the house.

    • Men would meet callers in the business room or library and women would take callers in the morning or drawing rooms.

    • A lady could never call at a man’s lodging, no matter her marital status.

    • Overt displays of emotion were seen to be rude.

    • Laughter was moderated in polite company, especially with women.

    • Men could give themselves away to unrestricted mirth and cheer if they were with other men or women of a low reputation.

    • A lady never forced herself on a men’s notice.

    • No female should refer to male activities that a woman should feign ignorance about.

    • A well-bred person was elegant, stood upright with grace, responded in social situations with calm assurance, and did not show pretentious traits.

    • Servants were spoken to with the right degree of civility and never with the call informality used when speaking to an equal.

Music of the Classical Period

Pride and Prejudice falls into the Classical period of classical music. The most famous classical music comes from this era as it is known for artists such as Mozart, Beethoven, Schubert, and Hayden. The phonograph was not invented until 1877, thus making music only accessible through live performances. Those unable to attend orchestras could still enjoy music by playing it themselves.

Historical Context

  • According to law, all of the woman’s money and land from before the marriage would now belong to the man she was marrying. Even a wife’s physical body, was under the possession of her husband. It was not until 1882, nearly a hundred years after this play takes place, that a woman’s property was protected during marriage. And yet, it is a woman’s primary purpose to get married. She is looked down upon by her society until then, and unable to make any real money by herself. The only work that a woman could find at this time was MAYBE a job at a factory. If a woman was unmarried, she remained the responsibility of her closest male relatives.

    You can click here for more information on laws regarding women in this time period.

  • Sex before marriage was not uncommon at the time; infact, in many cases pregnancy came before marriage. When the subject becomes an issue is when a woman has sex with a man and does not proceed to marry him. The man can continue his life completely unscathed while the woman is disgraced entirely. This is why Lydia running away with Wickham is such an issue, by being with him unsupervised for more then a day there is an implication that they had sex. Whether or not they actually did is irrelevant, because people will look down upon her and her family regardless.

  • Men marrying below one’s class was so discouraged, that laws were put in place in order to make it harder, including the Marriage Act of 1753. Mr. Darcy and Mr. Bingley are putting their reputation on the line by choosing wives of a lower status.

  • Young women were taught various skills and hobbies throughout their adolescence to make them more appealing to well-off men. These hobbies included musical talent, painting, reading, and sewing. Most children of wealthy families would learn painting or drawing in their youths. The harp and pianoforte were common instruments for women to learn during the Regency period.

Map from “Pride and Prejudice: 200 Years of Technology in Print, Cinematic, and Transmedia Storytelling”

Map of the Area

Who Lives Where?

Hunsford Estate - William Collins and wife Charlotte

Rosings Park - Lady Catherine de Bourgh and daughter Anne

Longbourn - The Bennet Family

Netherfield - Mr. Bingley

Lucas Lodge - The Lucas Family

Pemberley - Mr. Darcy

*both Delaford and Whitwell are featured on the map, however the two are residences featured in Sense and Sensibility

Money Conversions

  • Although clearly extravagantly wealthy, there is a large range of how much money Mr. Darcy exactly has in this production. Early in the show, Charolette tells the rest of the family that Mr. Darcy receives twenty thousand pounds a year. That amount of money at the time equates to 2.6 million dollars today. Later in the show, Mr. Wickham says that Mr. Darcy receives ten thousand pounds per year, which is 1.3 million dollars today.

  • Mr. Bingley is said to receive four thousand pounds every year. In today's money that is equivalent to a bit more than half a million dollars.

  • On page thirty-one, Mr. Collins says that he cannot make “five shillings any object.” In today’s money that is twenty-seven dollars, thus showing that he is nowhere near the status of Mr. Darcy and Mr. Bingley

Design Crew Work

  • Dialects

    This time period and society uses Received Pronunciation accents! Access resources from your dialect coaches, Carrie and Erinn, below!

  • Movement

    Dances and Balls were a crucial part of society at this time! Use the button below to access rehearsal videos and review your movement blocking!

  • Music and Lighting

    Music was a crucial part to the dances and daily life during the time period! The attached presentation by Lee Keenan features some music history and audio files for the show!